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It’s been a crazy summer, personally and professionally.  I really appreciate you sticking by me during this hiatus.  I only thought it was fair to update you all and give you a hard date for Pastor’s return.

I do have some rather good news regarding an original theme song for WORLD OF HURT and a new contest.  Hopefully, I can time these to coincide with the new start date and really do a nice promotional push.

- JEP

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Is that a) a cliffhanger ending, b) an artistically ambiguous resolution, c) or a cop-out?  Either way, I’m really proud of the feet in this one?

- JEP

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I had a few items to share, so I thought I’d wrap it up in a bright, shiny linkblogging bow for you:

• First, if you’re in the Atlanta area today and tomorrow, I’d recommend you stop by ONYX CON “….a Conference/Convention celebrating the very best of the impact, contributions, and presence of the African Diaspora in Popular Arts and culture.”  ONYX CON was founded by Joseph R. Wheeler, III, an incredibly sharp, dynamic cat that I had the pleasure of meeting at ECBACC (East Coast Black Age of Comics Convention) this year.  Because I wasn’t quite sure how things were going to shake out with my Dad’s health, I didn’t want to commit to setting up a table, but I’ll definitely be their next year.  ONYX CON starts today and runs through Saturday, August 14th.  It would make a nice, inexpensive day trip if you’re in the area.  General admission tickets are just $5 and Wheeler has done a great job of establishing a family-oriented event with workshops and programs that cover a wide range of topics for creators, casual fans and kids.

• Scott Sanders and Michael Jai White’s Blaxploitation homage, Black Dynamite opens in the United Kingdom today. Or as Dolemite might say, “Black Dynamite’s tough, together, righteous and mean.  So if she’s selling smack to the orphans, can’t even God save the Queen!”

• Finally, this clip featuring a Blaxploitation version of Star Wars, entitled “Blackstar Warrior” has been making the rounds on the internet this week.  The clip stars Leonard Roberts (Angel, Heroes) as Lando Calrissian.  The trailer places Lando at the center of an adventure that pits him against the evil Galactic Empire.  What I like about the trailer is that it plays with some of the Blaxploitation tropes and iconography while expanding on some of the back story between Han Solo and Lando that was only previously hinted at by George Lucas.  The trailer has its tongue firmly planted in its cheek, but there’s a fair amount of respect and knowledge of both Blaxploitation and the Star Wars saga that comes through in this effort.  Little touches like the voiceover entreating viewers to “ask your mama;” the humorous twist on Star Wars‘ urgent holographic plea from a woman in distress; and even the use of the line, “I’ve got a bad feeling about this, ” which was used in every Star Wars film, demonstrate the creators’ commitment to, and knowledge of, their subjects.  The trailer gets extra satirical points by relegating Han Solo, the coolest character in the original Star Wars trilogy, to a comedic sidekick who is slightly out of his element.  This twist is an amusingly subtle inversion of the standard dynamic between Black and White film protagonists.

Sean McLean of Underwhelmedcomic.com hipped me to this new trailer, but its makers had teased its release several months ago with by posting a three-part “documentary” series on YouTube.com, detailing the circumstances around the search for a lost, unreleased Black version of Star Wars, which was allegedly created in the 1970s.  With its serious tone and the inclusion of noted Blaxploitation scholar and friend of WORLD OF HURT, David Walker of BadAzzMofo.com, I was almost willing to believe the mockumentary was real.  Nonetheless, the entire effort was brilliantly conceived, cleverly executed, and the Blackstar Warrior pay-off was a real hoot.

- JEP

I really enjoy the storytelling on this page.  The sparse dialogue and wide, open panels help convey the impression of the protracted silences found in the best spaghetti Westerns and samurai films.  Also, I liked how the protagonists are mirroring each other in the top and bottom panels.  However, my favorite part is how the panels come together to play with the sense of time.  With the middle panel, we get the feeling that the two are circling one another, but this action could occur between their dialogue or simultaneously with it.

- JEP

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Join me, will you, as I rank the Top Five Action-Adventure TV Intros Of All Time.

The criteria I used to judge were: 1) Does it feature a signature theme song?  2) Does it contain iconic imagery, scenes, or presentation?  3) Do #1 and #2 hold up over time, or does it feel dated?  4) My own capricious whims.

HONORABLE MENTION:

The Six Million Dollar Man*

It is the sound mix of terse narration combined with static-filled radio transmissions, the steady beep of medical monitoring equipment and the distant, spare military percussion that make this title sequence so gripping.  The iconic “da-da-da-DAAA” theme itself is barely more than a stinger in the last fifteen seconds of the credits, but the way the strings rise up to signal Steve Austin’s bionic resurrection leave a lasting impression.  Also, the graphics overlaid atop the lens-flared image of Steve Austin running toward the viewer are still quite impressive.

*YouTube forbids embedding of “The Six Million Dollar Man” opening credit sequence, but you can find it on their site at the link.

#5 Miami Vice

The opening credits for Miami Vice included scenes of the Miami high life: South Beach, jai alai, Grand Prix racing, cigarette boats skimming the waves and jiggling breasts. Taken out of context, the images could be part of any travelogue sponsored by the Miami tourist bureau, but juxtaposed with Jan Hammer’s instrumental theme, (which was an odd blend of blues by way of 80s New Wave synth), they underwent an alchemical transformation and implied something a little seamier and more dangerous.  Also, despite the fact that Jan Hammer’s theme and Miami Vice virtually defined the sound and look of the mid-1980s, I find that the opening credit sequence holds up surprisingly well nearly a quarter of a century (DEAR HEAVEN! REALLY?!!) later.

#4 The Incredible Hulk

This title sequence was fairly heavy in narration, but everything you need to know about the show’s leads, Bruce Banner and his uncontrollable alter ego, The Hulk, was encapsulated by a mere thirteen words: “Mr. McGee, don’t make me angry.  You wouldn’t like me when I’m angry.”  It wasn’t just the words, but the way Bill Bixby delivered them less as a threat to the intrepid reporter of Jack McGee, but more as a desperate plea to be left alone.  This intro also told a compelling story, and everything from the frantic piano riff at the beginning over the flashing “DANGER” sign to the split screen of the Hulk and Banner at the end, ratchets up the tension and enhances the mood.

#3 The Dukes Of Hazzard

You wanna know how good this title sequence is? It’s so good that 99% of Black folks don’t even care that the show’s about two hillbillies who tool around in a car emblazoned with the CONFEDERATE FLAG! For all we knew, Sheriff Roscoe P. Coltrane might have been a Bull Connor-level tyrant who drove the Black folks out of Hazzard County with dogs and fire hoses.  We don’t care.  If anything, we want to see more of the car.  Like the General Lee itself, this opening sequence fires on all cylinders with shots of dynamite-tipped arrows, automotive mayhem, and Catherine Bach in heels and the tight, signature jean shorts which still bear her character’s name.

#2 ThunderCats

The music is a little cheesy, but it serves the purpose of telling viewers that, yes, these are the ThunderCats and they are on the move and they are loose, but it is the anime-influenced, jaw-dropping animation that earned this one a number two spot on the list.  I don’t think American kids had ever seen anything like this before.  Kids of my generation had mostly been raised on a cartoon diet of well-designed, but somewhat stiff Hanna-Barbera animation or gloriously loopy Warner Brothers cartoons, mixed with the occasional Speed Racer or Battle Of The Planets, but we had never seen such realistic animation used in such a deft manner to convey personality, grace, athleticism, speed and power.

#1 The Rockford Files

Before The Simpsons used the running joke of changing the couch sequence in their intro for every episode, The Rockford Files employed a similar gag and had different callers leave a message on detective Jim Rockford’s answering machine for each episode.  I love the big, bombastic theme that includes everything from harmonica to timpani.  Most of all, I loved the photo montage.  The photo montage technique was similar to the one Gordon Parks, Jr. used in Super Fly, but instead of giving an inside look at the cocaine distribution chain, it presented a day in the life of Jim Rockford.  Viewers were treated with shots of Rockford’s using good old-fashioned shoe leather investigation, the tedium of dealing with government bureaucracy, the banality of grocery shopping, and the simple joy of Jim Rockfordfishing with his father.  It was a candid, playful, and innovative way to demonstrate the life of a down-on-his heels private investigator in Southern California.

- JEP